Email: alice.lipizzi@gmail.com
Education History:
2020 - 2024 Ba (Hons): Fashion Communication: Fashion History & Theory, Central Saint Martins, UAL, London, UK.
Online Course: “Fashion as Design”, MoMa
Online Course: “Fashion and Sustainability”, London College of Fashion (UAL)
Online Course: “Understanding Fashion: From Business to Culture”, Institute Francais de la Mode (IML)
Employment History:
2023- Editorial Intern at Nowness
2022- Social Media Management intern at Nasty Magazine
2021 - Sales Assistant/Retail at Selfridge's, 400 Oxford St, London W1A 1AB
![]()
Still from ‘Alice in The Cities’ by Wim Wenders (1974).
Education History:
2020 - 2024 Ba (Hons): Fashion Communication: Fashion History & Theory, Central Saint Martins, UAL, London, UK.
Online Course: “Fashion as Design”, MoMa
Online Course: “Fashion and Sustainability”, London College of Fashion (UAL)
Online Course: “Understanding Fashion: From Business to Culture”, Institute Francais de la Mode (IML)
Employment History:
2023- Editorial Intern at Nowness
2022- Social Media Management intern at Nasty Magazine
2021 - Sales Assistant/Retail at Selfridge's, 400 Oxford St, London W1A 1AB
Still from ‘Alice in The Cities’ by Wim Wenders (1974).
As a fashion writer and stylist based in London's dynamic cultural melting pot, my work embodies academic rigour and avant-garde creativity.
My professional journey navigates the liminal space between the world of academic writing and the free-spirited realm of creative styling. I approach fashion not just as an industry but as a form of visual and textual narrative that challenges conventional norms and pushes the boundaries of commercialism. My work is characterised by an edgy, anti-fashion aesthetic that deliberately subverts traditional concepts and encourages viewers and readers to question the status quo.
In my writing, I delve into the intellectual underpinnings of fashion, exploring its sociopolitical implications and cultural significance. My articles serve as a bridge, connecting the analytical perspective of an academic with the imaginative vision of an artist. This unique blend allows me to curate thought-provoking and visually compelling stories, offering a fresh perspective on fashion that transcends mere trends.
As a stylist, I strive to create visual narratives that are as intellectually stimulating as they are visually striking. My styling projects often incorporate elements of performance and installation art, positioning fashion as a medium that interacts with and comments on its environment. By doing so, I aim to blur the lines between the artist and the curator, presenting fashion as a curated art form in its own right.
My professional journey navigates the liminal space between the world of academic writing and the free-spirited realm of creative styling. I approach fashion not just as an industry but as a form of visual and textual narrative that challenges conventional norms and pushes the boundaries of commercialism. My work is characterised by an edgy, anti-fashion aesthetic that deliberately subverts traditional concepts and encourages viewers and readers to question the status quo.
In my writing, I delve into the intellectual underpinnings of fashion, exploring its sociopolitical implications and cultural significance. My articles serve as a bridge, connecting the analytical perspective of an academic with the imaginative vision of an artist. This unique blend allows me to curate thought-provoking and visually compelling stories, offering a fresh perspective on fashion that transcends mere trends.
As a stylist, I strive to create visual narratives that are as intellectually stimulating as they are visually striking. My styling projects often incorporate elements of performance and installation art, positioning fashion as a medium that interacts with and comments on its environment. By doing so, I aim to blur the lines between the artist and the curator, presenting fashion as a curated art form in its own right.